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FINLAND

Song : "Työlki Ellää" (You Can Work For A Living)
Performer : Kuunkuiskaajat
Music & lyrics:
Timo Kiiskinen


Running Order : #5 in the first semi-final

THIS YEAR'S ENTRY

 SELECTION
Fifteen potential Eurovision entries took part in three semi-finals of Eurovision Laulukilpailu, which were staged in January. Ten qualified for the Finnish national final which was held on January 30th at the Tampere Exhibition & Sports Centre and hosted by Jaana Pelkonen & Mikko Peltola. The winner was chosen over two rounds of televoting. The first to select the Top 3 and the second to select the winner. In a very close vote, the public chose to send Finnish folk music act Kuunkuiskaajat to Oslo, with the up-tempo song "Työlki Ellää" (You Can Work For A Living).    

 BIOGRAPHY
After the many hard rock bands and a disco act, two singers from Finland’s most successful contemporary folk group Kuunkuiskaajat will represent the country at this year’s Eurovision Song Contest in Oslo.

Susan Aho and Johanna Virtanen are the co-founders and members of the duo Kuunkuiskaajat (Moon Whispers). Their eponymous album was released in December 2009. A month later their cheerful and charming performance at the Finnish national selection for the Eurovision Song Contest conquered the hearts of the Finns. Kuunkuiskaajat beat all the pre-contest favourites by receiving 42 per cent of the votes.

The Finnish entry is titled Työlki Ellää and is written and composed by Timo Kiiskinen. It is influenced both by old Finnish poetic runo song and gypsy music. Susan Aho even claims to have some Romany blood. Part of the song is performed in Karelian dialect, which is spoken in Eastern Finland. The tongue-in-cheek title translates as “You can also make a living by working” (but it's business that makes you rich).

Susan (36) started playing accordion at the age of 13. She has obtained a Master of Music degree at the Sibelius Academy Folk Music Department. Susan is not only a professional musician, but also a puppeteer. Currently she works at the internationally renowned puppet theatre Sampo.

Johanna (33) started her musical studies at the Central Ostrobothnian Conservatory in Kokkola. She continued studying folk music and singing at the Sibelius Academy and her plan is to obtain a Master of Music degree in the near future. Johanna is a professional vocal teacher and is specialized in childbirth singing. In addition she plays harmonium, kantele and 2-row accordion.

As members of Värttinä, Susan and Johanna have toured extensively in Europe and all over the world, in more than 30 countries in total. One of the group’s most notable projects in recent years was composing music for The Lord Of The Rings theatrical adaptation.

 REACTION
"Työlki Ellää" was not among the favourites to win the Finnish selection but as one of the first songs chosen for Oslo, it has become of one of the most familiar entries. Kuunkuiskaajat have done a limited amount of international promotion, but their song has not made a major impact on internet polls.  

The Finnish entry is a marginal qualifier from the first semi-final, but with odds of up to 200/1, it is not reckoned to have much chance of victory at Eurovision.

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PREVIEW VIDEO

PROMO VIDEO

LAUNCH PAD

FINLAND AT EUROVISION

  • First entry: 1961 
  • Number of previous entries: 42
  • Best result: Winners (2006) 
  • Worst result : Last (1963,65,68,80,82,90,92,96,2009), failed to qualify (2004,05)

TEN YEAR FORM GUIDE

 

WEBMASTER REVIEW

"This is the kind of entry that Finland used to send to Eurovision back in the 1970s and while they were unusual at the time, the appeal just isn't there for me anymore. It's a "happy clappy" piece of nothingness, with little or no appeal for an international audience and with an early draw and better folk type entries in this semi, I fin it hard to believe that this will qualify. - Keith Mills

AN ALTERNATIVE VIEW

"It’s like the noughties never happened. They’ve gone all folky and sent a charming song about working (hardly a promising theme). They make work sound really fun as the song bounces along in happy folk like fashion. The accordion playing lady dominates, with an authoritative, slightly sinister vocal, while her friend struggles to make herself heard on the harmony. An unexpected old school treat." - Richard Hopkins (U.S.A.)