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THIS YEAR'S ENTRY
Despite being
one the seven countries that competed in the
first Eurovision Song Contest in 1956 and
winning three of the first seven contests,
France's record in the competition in recent
years has been quite poor. Their last five
entries have all finished outside the Top 10 and
for the last three years, France has finished in
the bottom three positions. Last year's result
was especially disappointing given the effort
that the five French television channels had put
intp staging one of the best national finals of
the year.
For 2008, FR3
decided to go back to an internal selection and
after weeks of rumours of one prominent French
pop music act after another, eventually in early
March the announcement was made that the French
entrant in Belgrade would be Sébastien Tellier
and "Divine" a track from his current
album. It was later revealed that the song was
not recorded with Eurovision in mind.
Sébastien
Tellier is the latest in a long line of
eccentric Frenchmen, born in 1974 he first
came to public attention when he went on his
first world tour in 2001 to promote his début
album "L'Incroyable Verité" (The
Incredible Truth). as the opening group for
AIR, playing 80 dates in total and delivering
his uncompromising mixture to an international
audience for the first time: His track
"Fantino" was used for Sofia
Coppola's highly acclaimed film "Lost In
Translation."
For his
second album, "Politics", released
in 2004, he teamed up with a wide range of
artists, including Tony Allen, the inventor of
afro-beat and one of the most influential
drummers of his time. Sebastien also
collaborated with his long term partner,
Pamelia Kurstin, maybe the best Theremin
player in the world as well as with the always
excellent pianist Simon Dalmais. The seminal
piece "La Ritournelle" is widely
considered to be one of the most moving love
songs ever recorded and generated a
considerable amount of radio play in the
United Kingdom when it was released in 2005,
although it surprisingly failed to find chart
success and as NME reported at the time “One
day, Sebastien Tellier’s slow-burning club
anthem will be huge”.
Sebastien's
work finds a lot of appreciation among fellow
artists and got him a place on stage as the
opening act on Norwegian band Royksopp's
European tour, as well as the The Magic
Numbers and Moby's tour support in France.
Always searching for new styles and
opportunities to develop his musical universe
Sebastien Tellier also collaborated with the
Bulgarian Symphonic Orchestra or the Parisian
Boule Noire Orchestra.
2006 saw the
release of Sebastien Tellier's
"Sessions" album, consisting of
acoustic reinterpretations from his previous
"Politics" album. Well
respected in French music circles, Sébastien
enlisted, Guy-Manuel Homem de Christo (Daft
Punk) on production duties for his latest
album, "Sexuality", released
in 2007, a record brimming with warmth that
takes the influence of classic European
artists such as Ennio Morricone and Giorgio
Moroder before rendering it a modern style
that evokes American R’n’B, in the vein of
Justin Timberlake and Beyoncé.
Besides
keeping himself busy with production, remixing
other artists and lending his voice to other
musicians Sebastien also made a step into the
movie world. He played the main role in
Quentin Dupieux's film "Non Film", a
movie of a charismatic and photogenic leader
in a world where we can film without a camera,
as well as Dupieux's latest film
"Steak", released in June 2007. Furthermore Sebastien has produced the
soundtrack for "Narco", a
French production starring Benoît Poelvoorde,
Guillaume Canet and Zabou Breitman, as well as
contributing to Daft Punk's "Electroma"
film with a track called "Universe".
Sebastien
Tellier is one of these few rare bred artists,
combining virtuosity, humour and overall
talent reminding us of entertainers like
Robert Wyatt, Syd Barret or Serge Gainsbourg.
His live performances are considered as being
intense, emotional experiences hypnotising the
audience and he is eagerly waiting to take to
the styage in Belgrade.
After going
almost unnoticed for a month,
"Divine" caused a political storm in
Frabnce in the middle of April, when French MP
Jacques Myard of the UMP party called on the
company that runs most of France's TV networks
to change its mind about accepting the song by
Sebastien Tellier because it was largely in
English. A controversy blew up and the
song was discussed in the French parliament.
Meanwhile Tellier said that he had not been
asked to perform the song in French, and would
have been pleased to do so, if asked.
Despite the
publicity and an automatic place in the final,
the French entry remains and outsider with
bookmakers and has made limited impact on most
fan polls.
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SAMPLE LYRICS
| I'm looking for a band today |
| I see the Chivers anyway |
| I'll be a Chivers guy some day |
| In my mind |
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BROADCASTER |
RATINGS |
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Bookmakers |
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| Eurovision history |

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| Runnning order |
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| Fan Poll |
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| Webmaster |
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LAUNCH
PAD
- Sebastien
Tellier's website
- Sebastien Tellier on
Myspace
- French television page
- The song's lyrics (from
Diggiloo.net)
- French fansite
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FRANCE AT EUROVISION
 | First entry: 1956 |
 | Number of previous
entries: 50 |
 | Best result: Five times winners
(1958,60,62,69,77) |
 | Worst result : 23rd
(2000,05) |
TEN YEAR FORM GUIDE
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WEBMASTER REVIEW
For years I've been complaining
that modern French music hasn't been
given a chance at Eurovision and now
that we finally get to see one of
France's new blreed of electronic acts,
I have to say that the song leaves me a
litttle underwhelmed. This is like AIR
meeting the Beach Boys, it's great for
radio, but I'm not sure that it's
suitable as a contest song. I have an
awful feeling this this won't change
France's run of bad results an in deed
if anything could give France its first
ever last place finish.
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REVIEWS
"Well
… It’s my secret "dark horse".
First : I bought the last album of Sebastien
Tellier just 3 days before we know he will
represent France. So you can understand that I’m
fond of this type of music. Ok, it’s not the
best song of this new album but I’m really
proud that France will present a new face of
our music, a mix of Coldplay and Supertramp.
Second : I cross my fingers to hope the stage
presentation will be great and catchy. Third :
I’m very glad to see that France3 forget the
language rule this time. Fourth : I hope
Europeans will appreciate this entry, but, by
the way, I’m so proud that it’s not very
important to have points, I will still hear it
for years". - Yom (France)
"“Douze
points” to the French for not retreating to
the “girl in a gown with a ballad”
formula, especially after 2007’s disaster.
There’s a feel-good electronic 1980s vibe
going on here – is the backing music
courtesy of a Bontempi organ? Too offbeat for
Eurovision but very, very wonderful!"
- David Bridgman (U.K.)
"After
all the controversy, what about the song?
Whether this is sung in French, English or
Sanskrit, its won’t make any difference.
This song is both boring and repetitive. As
for the Caveman look, lets just move on..." - Dermot
Manning (Ireland)
"Ouuuuiiiii!!
I have been waiting for this. First time since
1963 (no, I wasn't born) I can place France at
no. 1. Certainly anything than another dull
euroballad. And I have placed France top 10 in
three of the last four contests. So things
change to the better. Lovely, sophisticated,
detailed, interesting, great work really! A
good mix between the uplifting and the
melancholy." - Streinar (Norway)
"Another
country going for something totally different
this year, reminds of a song by AIR - not that
powerful and catchy though. Much will depend
on the performance - a risky choice and it is
difficult to predict whether televoters will
enjoy it or not." - Paul Hutter
(Germany)
"I was
very impressed that France gave us something
different this year. Sebastian Tellier has
divided opinion. I like the electro vibe in
this song. My worry is that live it could be
forgotten. The performance will have to have a
big impact and hook with the audience or else
France could suffer again. A 19th place in
running order is to their advantage aswell."-
Aidan O'Connor (Ireland)
"Unlike
the last two entries from France, I think this
song is much better. It's certainly not great
but I think it has a nice beat, but where are
the great entries à la Sandrine François and
Natascha St-Pier gone?"- Nicky Peeters
(France)
"This
is something new and different. First of all
France performs in English. He is independent,
this is a nice electro lounge production, but
this is not the best. However, nice to see the
French experimenting " - Atmantas
(Greece)
"Boom
bop bop dep bopidy bop. Different. Pleasant.
Stands out. Give it a good performance and
this could do well, du bopidy bop."-
David Berlinger (Israel)
"I can’t
see this working. It’s alright – retro,
reminds me a little of ELO and at least it’s
out of the ordinary, but won’t trouble the
judge." - David Withers (U.K.)
"years
but they get too many points! It's not an easy
song but it could be a great soundtrack theme!
This will nevertheless not end high!" - Fluvia
(Slovenia)
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